Home from tour and looking forward w/ Circuit des Yeux…

Circuit des Yeux – Reaching For Indigo out October 20th, 2017.

Greetings all,

I’m back home after one of the finest outings I’ve taken with my guitar-wielding comrade Tashi Dorji. As usual I cannot thank everyone enough for the immense generosity and support we received along the way – thank you all so much.

Unfortunately, we did not receive our new trio CD Release on Austria’s Trost w/ Danish-via-Norway saxophonist Mette Rasmussen, To the Animal Kingdom, in time for our tour but they have finally touched down in the US and I will have copies in-person and on Bandcamp in due time. Stewart Smith wrote of our new disc in Wire Magazine recently, noting that:

“Head-shaking and fist-pumping opportunities abound with this bodacious live set […] that’s not to say To The Animal Kingdom is some dumb slab of noise-bro skronk; this trio balance free jazz dynamism and industrial clatter with textural soundwork and a keen sense of space.”

Additionally, Tashi & I’s new duo LP, Leave No Trace: Live In St. Louis, is currently being pressed and will be available December 8th – preorder it now from Family Vineyard. We’re down to the final copies of our debut, Both Will Escape, so snatch one up if you feel so inclined. Feeding Tube are also moving copies of our recent trio LP w/ Thom Nguyen, Manas – III, check ’em out…

If you were unable to catch us on tour, Deathwave TV captured a full set from our Bloomington, IN date at Magnetic South on Tashi’s birthday:

I’m very excited to hit the road in November with Circuit des Yeux in support of the new Drag City release Reaching For Indigo, out 10/20/17. Haley & I have been friends for years and I’m overjoyed to reconnect creatively and to have been invited to join CDY on tour. Two singles featuring my drum work, “Black Fly” and “Paper Bag,” have been premiered and you can check them each out below along with tour dates for the first leg of Reaching For Indigo performances (all dates supported by the inimitable Ka Baird):

– Friday, November 10th – Circuit des Yeux @ Trinosophes (1646 Gratiot Ave.), Detroit, MI

– Saturday, November 11th – Circuit des Yeux @ The Drake Hotel (1150 Queen St W), Toronto, ON

– Sunday, November 12th – Circuit des Yeux @ Bar Le “Ritz” P.D.B. (179 Rue Jean-Talon-Ouest), Montréal, QC

– Monday, November 13th – Circuit des Yeux @ Great Scott (1222 Commonwealth Ave.), Allston, MA

– Tuesday, November 14th – Circuit des Yeux @ AS220 (115 Empire St.), Providence, RI

– Wednesday, November 15th – Circuit des Yeux @ Rough Trade NYC (64 N. 9th St.), Brooklyn, NY

– Thursday, November 16th – Circuit des Yeux @ Johnny Brenda’s (1201 Frankford Ave.), Philadelphia, PA

– Saturday, November 18th – Circuit des Yeux @ Schuba’s, Lincoln Hall (2424 N. Lincoln Ave.), Chicago, IL


October 2, 2017 [permalink] , , , , , , , , , , , , , , , , , , ,

Dorji / Damon September 2017 tour + other dates


Tour poster by Xerox the Kidd.

Tashi & I are headed out on TOUR again in September in support of 3 new recordings:

MANAS – “III” (Feeding Tube, FTR-330)
Mette Rasmussen/ Tashi Dorji/ Tyler Damon – “To The Animal Kingdom” (Trost, TR167)
Tashi Dorji & Tyler Damon – “Leave No Trace: Live in St. Louis” (Family Vineyard, FV103)

Though I’ve mentioned the trio releases in previous posts, the new duo LP, “Leave No Trace,” is a kind of sister release to last year’s “Both Will Escape” recorded live in-the-studio for an audience last November in St. Louis (coming this Autumn on Family Vineyard). Check out the DISCOGRAPHY page for more info on these releases.

This outing promises to usher in more collaborative possibilities for Tashi & I, namely the FREEZING BLACK RAIN quintet (Dorji & Damon + Heart of the Ghost a.k.a. Luke Stewart/Jarrett Gilgore/Ian McColm) & a trio with Chicago’s Dave Rempis.

Other upcoming dates:

– Friday, August 11th – solo w/ Rob Noyes (Boston), Alexander (New Haven) @ Magnetic South (1305 S. Madison St.), Bloomington, IN

– Saturday, August 12th – Open Sex w/ Honey Radar (Philadelphia), The Cowboys @ The Blockhouse (201 S. College Ave.), Bloomington, IN

– Saturday, August 19th – solo @ secret solar eclipse party, Perryville, MO


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Home from tour, a video, more press & end-of-year dates…

Southwest Diner, St. Louis, MO. Photo by Jeremy Kannapell. 

Greetings everyone,

Tashi Dorji and I just wrapped up our final tour dates of the year in support of Both Will Escape; thank you to everyone who came out to see us perform last week; love and gratitude especially to those who offered their time and energy to make the shows happen, shared a meal, a place to sleep, or showed us around town…you know who you are – much appreciated! Already planning some 2017 hits for the Spring. More recording is on the horizon…

Deathwave TV was at our Bloomington performance at Indiana University’s Grunwald Gallery this past week and captured the majority of our set. Check it out here:

Deathwave TV has been in the works for quite some time now and they’ve also captured three of my solo sets (in addition to a wealth of other musical performances in Bloomington) if you feel inclined to check ’em out:

http://deathwave.tv/artists/tyler-damon/

Since my last post we got a bit more press as well, most notably a nice feature from our man in Chicago, Bill Meyer, in the Chicago Reader:

http://www.chicagoreader.com/Bleader/archives/2016/11/02/tashi-dorji-and-tyler-damon-play-chicago-behind-the-years-most-exciting-improvised-album

Sincerely flattering…thanks again, Bill. We also received our first Japanese review from Tokyo-based record shop Reconquista, presented here in English via Google translator:

“Pretty looking good! After receiving an influence on flamenco and classic, Derek Bailey and John Zorn, went to deepen the encounter own music sense to the music of Albert Ayler Bhutanese guitarist, and Tashi Dorji, duo works by percussion player Tyler Damon! Jazz and improvisation, noise, folk music, wonderfully thrilling performance that was tangled elements of minimal music, let me listen to the vertical of improvisation with a distinctive music and tone each other! Awakening common voice and edgy, such as going to cut through the space, wonderfully sound that fraught with elation, such as invites to the trance state, it will be drawn at once to the performance! In the course of rush into chaos, such as going to born the mystique, wild and intellectual performances are stunning masterpiece! With download coupon! recommendation!”

Thank you Reconquista! Japanese friends, purchase the LP from Reconquista here:

http://www.reconquista.biz/SHOP/FV97.html

Our good friend (and guitar slinger extraordinaire) Sarah Louise also included our LP Both Will Escape in her “Listed” feature via the always-excellent Dusted Magazine:

screen-shot-2016-11-08-at-11-43-35-am

Lastly, here are my final US live dates of 2016, including a first-time duo w/ Ahleuchatistas’ Shane Parish:

– Friday, November 18th – Open Sex quintet @ Dreamland (810 E. Market St.), Louisville, KY

– Friday, December 2nd – duo w/ Shane Parish @ The Blockhouse (201 S. College Ave.), Bloomington, IN

Bye for now… – T


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Dorji & Damon “Both Will Escape” & “Live At The Spot +1” in Wire #393 + more reviews…

wiremagshirley

Tashi Dorji and I were reviewed in the new issue of Wire Magazine by Bill Meyer (thanks again Bill!). He wrote about the recently released Astral Spirits cassette “Live At The Spot +1” and our new LP on Family Vineyard, “Both Will Escape.” Check out the review below and snag a copy of the mag if you feel so inclined:

dorjidamonwiremagblock

Guillaume Belhomme at Le Son Du Grisli also recently reviewed the “Live At The Spot +1” tape for the Francophones. Check it out HERE.

Other recent reviews of “Both Will Escape” below:

Marc Masters’ 200 Words column at The Out Door:

“…there’s something frighteningly blood-quickening about Dorji and Damon’s nuclear energy on Both Will Escape, such that the entire 43 minutes seems to glow with radiation and spark with high voltage. The sounds of Dorji’s earth-clearing guitar and Damon’s fist-pumping kit rocket out of the speakers in ways that feel dangerously uncontrolled, like someone playing with a plugged-in toaster over a filled-up bathtub. I’m hesitant to make comparisons because the specific language Dorji and Damon have quickly developed deserves to be savored and digested on its own, but suffice to say that there’s a rarified upper echelon of guitar/drum annihilation that for me is topped by the detonating 90′s work of Rudolph Grey and Rashied Ali, and Both Will Escape squarely belongs in that league.”

Justin Spicer’s Cerberus column at Tiny Mix Tapes:

“As Dorji settles in and begins to twist his guitar into a steely sledgehammer, Damon begins to apply a similar blunt force to his percussive instruments. They do this not through one particular sound study; the rhythm and influence jumps from song to song, keeping both nimble and on edge. Neither wants to drop the ball, so the results are an album’s worth of fantastic ideas that can’t settle down. Each brings its own mood and setting; a very Prokofiev feeling.”

Eike Klien also reviewed the LP for German readers over at Das Klienicum


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