Home from tour, a video, more press & end-of-year dates…

Southwest Diner, St. Louis, MO. Photo by Jeremy Kannapell. 

Greetings everyone,

Tashi Dorji and I just wrapped up our final tour dates of the year in support of Both Will Escape; thank you to everyone who came out to see us perform last week; love and gratitude especially to those who offered their time and energy to make the shows happen, shared a meal, a place to sleep, or showed us around town…you know who you are – much appreciated! Already planning some 2017 hits for the Spring. More recording is on the horizon…

Deathwave TV was at our Bloomington performance at Indiana University’s Grunwald Gallery this past week and captured the majority of our set. Check it out here:

Deathwave TV has been in the works for quite some time now and they’ve also captured three of my solo sets (in addition to a wealth of other musical performances in Bloomington) if you feel inclined to check ’em out:

http://deathwave.tv/artists/tyler-damon/

Since my last post we got a bit more press as well, most notably a nice feature from our man in Chicago, Bill Meyer, in the Chicago Reader:

http://www.chicagoreader.com/Bleader/archives/2016/11/02/tashi-dorji-and-tyler-damon-play-chicago-behind-the-years-most-exciting-improvised-album

Sincerely flattering…thanks again, Bill. We also received our first Japanese review from Tokyo-based record shop Reconquista, presented here in English via Google translator:

“Pretty looking good! After receiving an influence on flamenco and classic, Derek Bailey and John Zorn, went to deepen the encounter own music sense to the music of Albert Ayler Bhutanese guitarist, and Tashi Dorji, duo works by percussion player Tyler Damon! Jazz and improvisation, noise, folk music, wonderfully thrilling performance that was tangled elements of minimal music, let me listen to the vertical of improvisation with a distinctive music and tone each other! Awakening common voice and edgy, such as going to cut through the space, wonderfully sound that fraught with elation, such as invites to the trance state, it will be drawn at once to the performance! In the course of rush into chaos, such as going to born the mystique, wild and intellectual performances are stunning masterpiece! With download coupon! recommendation!”

Thank you Reconquista! Japanese friends, purchase the LP from Reconquista here:

http://www.reconquista.biz/SHOP/FV97.html

Our good friend (and guitar slinger extraordinaire) Sarah Louise also included our LP Both Will Escape in her “Listed” feature via the always-excellent Dusted Magazine:

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Lastly, here are my final US live dates of 2016, including a first-time duo w/ Ahleuchatistas’ Shane Parish:

– Friday, November 18th – Open Sex quintet @ Dreamland (810 E. Market St.), Louisville, KY

– Friday, December 2nd – duo w/ Shane Parish @ The Blockhouse (201 S. College Ave.), Bloomington, IN

Bye for now… – T


November 8, 2016 [permalink] , , , , , , , , , , , , , , , , , , ,

Dorji & Damon “Both Will Escape” & “Live At The Spot +1” in Wire #393 + more reviews…

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Tashi Dorji and I were reviewed in the new issue of Wire Magazine by Bill Meyer (thanks again Bill!). He wrote about the recently released Astral Spirits cassette “Live At The Spot +1” and our new LP on Family Vineyard, “Both Will Escape.” Check out the review below and snag a copy of the mag if you feel so inclined:

dorjidamonwiremagblock

Guillaume Belhomme at Le Son Du Grisli also recently reviewed the “Live At The Spot +1” tape for the Francophones. Check it out HERE.

Other recent reviews of “Both Will Escape” below:

Marc Masters’ 200 Words column at The Out Door:

“…there’s something frighteningly blood-quickening about Dorji and Damon’s nuclear energy on Both Will Escape, such that the entire 43 minutes seems to glow with radiation and spark with high voltage. The sounds of Dorji’s earth-clearing guitar and Damon’s fist-pumping kit rocket out of the speakers in ways that feel dangerously uncontrolled, like someone playing with a plugged-in toaster over a filled-up bathtub. I’m hesitant to make comparisons because the specific language Dorji and Damon have quickly developed deserves to be savored and digested on its own, but suffice to say that there’s a rarified upper echelon of guitar/drum annihilation that for me is topped by the detonating 90′s work of Rudolph Grey and Rashied Ali, and Both Will Escape squarely belongs in that league.”

Justin Spicer’s Cerberus column at Tiny Mix Tapes:

“As Dorji settles in and begins to twist his guitar into a steely sledgehammer, Damon begins to apply a similar blunt force to his percussive instruments. They do this not through one particular sound study; the rhythm and influence jumps from song to song, keeping both nimble and on edge. Neither wants to drop the ball, so the results are an album’s worth of fantastic ideas that can’t settle down. Each brings its own mood and setting; a very Prokofiev feeling.”

Eike Klien also reviewed the LP for German readers over at Das Klienicum


October 12, 2016 [permalink] , , , , , , , , , , , , , , , , , , , ,

Yoke 01-03 reviewed in Vital Weekly

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Frans de Waard recently reviewed Yoke releases 01-03 (my solo debut “Softened Skull,” as well as both collaborations with Darin Gray) at Vital Weekly, an e-mail magazine (formerly print zine) that’s been active as long as I’ve been drawing breath.

Check out the full review at VITAL WEEKLY 1011


December 20, 2015 [permalink] , , , , , , , , ,

German “Oninbo” review + Damon/Jost duo clip + archival release on Auris Apothecary…

Darin Gray and I received a nice German-language review of our duo release “Oninbo” from Eike Klien on his Das Klienicum blog:

http://dasklienicum.blogspot.com/2015/07/eingestreut-832-darin-gray-tyler-damon.html

Additionally, Tom Burris has captured another clip of me in the wild, this time w/ my upright bass/clarinet cohort Keith Jost at Bloomington’s own Artifex Guild:

Keith is on his way to greener pastures in Newark, NJ, so this clip stands as a testament to what is (likely) our final show for some time. Certainly not our last meeting, however…

For one last piece of news, Auris Apothecary has released an archival session featuring two of my great friends, Deserter (Greg Simpson/Rare Candies) and Dante Augustus Scarlatti (Bruce Woodward) from 2010. From Auris Apothecary:

“A “lost” session from 3 of Auris Apothecary’s most trusted accomplices, recorded in stunning fidelity in 2010 inside one of the most aesthetically & musically awe-inspiring spaces in the Midwest. 7 tracks totaling over an hour of quasi-improvisational avant-garde manifestations of harsh noise, ambient atmospheres, black metal, post-rock, melodic repetitions, and other dense sonic tapestries”

This was a very formative and, indeed, experimental time for me musically – I wasn’t quite sure which direction I was going in but I was really trying to push myself to try new things. I was drifting away from a lot of the heavy stoner rock, post-rock and metal I had briefly explored and I was increasingly interested in free improvisation and noise but hadn’t quite found my voice in that realm yet. Engineer Tim Smiley, another great friend of ours, managed to grant us access to the incredible space during a break in classes at Indiana University, so we spent all night in there trying out whatever sprung to mind. That said, I have really enjoyed revisiting this document. Bruce (D.A.S./Auris Apothecary label-head) has done an excellent job presenting Auer Hall Sessions and I hope that listeners enjoy the disc on its own terms and also as a reference point for where I’ve ended up musically today. It’s limited to 50 copies and is available now HERE.

 


July 28, 2015 [permalink] , , , , , , , , , , , , , , , , , ,

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