All Your Ghosts In One Corner / Kuzu EU Tour

Photograph by Dave Rempis.

Presenting the release of the latest Kuzu document on Aerophonic Records, All Your Ghosts In One Corner. I must acknowledge the contribution of my Grandma Boots – wit, wordsmith & master of turns-of-phrase – for providing the title of the record. Thanks Gramma. The official release date is October 5th, but all preorders via Aerophonic ship immediately:

Via Aerophonic Records / Dave Rempis:

“From March 8th-14th, 2020, Kuzu was on a seven-concert tour of the United States in the South and Midwest.  During that week it became apparent in this country that the world was on the brink of a crisis unknown to humanity for almost exactly a century.  In those seven days, the feeling on the street changed from one of anxiety to one of impending doom.  By the time the band arrived at Elastic Arts on Thursday, March 12th, their home base in Chicago, it was clear that these would be the last concerts any of them would perform for quite some time.  It would also be one of the last gatherings of the small, dedicated, cohesive, and highly interconnected communities built around the music in all of the cities where they performed.   So the final concerts documented on this album from Chicago and Milwaukee were wrapped in a depth of emotion that’s impossible to convey with words; a moment of friends bidding farewell for who-knows-how-long.  A few days later, the entire country was in full lockdown.  There isn’t a better group to provide that soundtrack.

Kuzu is a band already known for the raw emotion baked into their musical language. All of their previous records – Hiljaisuus (2018), Lift To Drag (2019) Purple Dark Opal (2020), and The Glass Delusion (2021) have ratcheted that approach up further and further as these three stellar musicians have continued to refine their trio dynamic through regular work. But their ability to construct musical tension in an almost agonizing way reaches a new peak on All Your Ghosts In One Corner. Drawing on these musicians’ love for a range of weighty musical expression from doom metal to the deeply-rooted spirituality of saxophonist Pharoah Sanders, this record perfectly captures the depth of the abyss into which we faced.  And yet this record isn’t about fear.  Redemption is found in the life-affirming energy of these performances, which reflect a will to survive in the band’s committed focus and tenacity. These are spontaneous rituals performed to brace an entire community for the upcoming storm.”

At long last we are hoping to return to the EU for a three-week jaunt after having the entire tour pushed back a year due to the pandemic. If all goes off without a hitch you can plan to find us zigging and zagging across Europe in November:

– Friday, November 5th – Kuzu @ Centro D’Arte (Via Luigi Luzzatti, 16b), Padova, IT
– Saturday, November 6th – Kuzu @ Sound In Motion, Antwerp, BE
– Sunday, November 7th – Kuzu @ Kaap (Zeedijk, Koning Boudewijnpromenade 10), Ostende, BE
– Monday, November 8th – Kuzu @ Punctum (Krásova 803/27), Prague, CZ
– Tuesday, November 9th – Kuzu @ Martinschlossl (Martinstrasse 18), Vienna, AU
– Thursday, November 11th– Kuzu @ Stockwerk (Jakominiplatz 18), Graz, AZ
– Friday, November 12th – Kuzu @ Villach Kulturforum, Villach, AZ
– Saturday, November 13th – Kuzu @ Alte Gerberei (Lederergasse 5), St. Johann, AU
– Monday, November 15th – Kuzu @ Dialograum Kreuzung an Sankt Helena (Bornheimer Str. 130), Bonn, DE
– Tuesday, November 16th – Kuzu @ Live Im Speicher, Leer, DE
– Wednesday, November 17th – Kuzu @ OCCII (Amstelveenseweg 134), Amsterdam, NL
– Thursday, November 18th – Kuzu @ POM (Ruysdaelbaan 106), Eindhoven, NL
– Friday, November 19th – Kuzu @ Club Manufaktur (Hammerschlag 8), Schorndorf, DE
– Saturday, November 20th – Kuzu @ Club W71 (Zwischen den Sportplätzen), Weikersheim, DE
– Sunday, November 21st – Kuzu @ Offene Ohren, Munich, DE
– Monday, November 22nd – Kuzu @ Dokkhuset (Dokkparken 4), Trondheim, NO
– Tuesday, November 23rd – Kuzu @ Blow Out! Festival, Oslo, NO


August 11, 2021   [permalink]   , , , , , ,

The COVID Tapes

Announcing the latest release from Dave Rempis’ Aerophonic Records, an aptly titled double CD, The COVID Tapes. Here’s an excerpt from Dave’s excellent liner notes:

“…the Hyde Park Jazz Festival (for which I also work as a producer…) invited Joshua Abrams to present an outdoor concert as part of their “Postcards” Series.  He convened our trio with Tomeka Reid for this on August 14th, and we scouted out a location at a park two blocks from my house in the Uptown neighborhood of Chicago.  Seeing how well it worked, I continued this Friday evening series for the next two months.  I mostly worked with Tyler Damon as a duo, sometimes adding Joshua on bass, and once adding Bill Harris for a double drum lineup.   Matt Butchko, who I would refer to as a “superfan” of the music, generously came to each concert with the same portable mobile setup that he uses regularly at venues, with two small bud microphones positioned on top of his baseball hat.  He managed to get good-sounding recordings, even outdoors.  A huge debt of gratitude goes out to him for being there right up front for these and so many other concerts.

One of the interesting benefits of playing outside is evident on these recordings: all of the great background noises that play into the improvisations.  Check out the overwhelming swells of sound from the chorus of cicadas, the punctuation of passing cars on Lake Shore Drive, and the cardinal calls at the end of the trio with Abrams and Reid for example.  Or the truck beeping as it backs up at the end of the duo with Tim Daisy.  Or the barking dog that passes through during the trio with Abrams and Damon.  Those events all became a part of the music, and they’re presented here without any effort to filter them out, to give a better sense of what the experience of these concerts was actually like.”

Getting together for these impromptu shows and playing directly for an otherwise-atomized community week after week kept a fire in my belly through this mind-shattering time. I had always wanted to bring my music into the public sphere for the fun of it, anyway, so this was a perfect opportunity. I hope the music contained herein offers you respite like it has for me, a model for what is possible for live music even when barriers emerge for everyone in every direction. Preorder here:

https://aerophonicrecords.com/the-covid-tapes/


May 1, 2021   [permalink]   , , , , , , , ,

Digital Quarantine Offerings

Photo by Kari Leigh Ames

Hey everyone,

I hope you’re all staying sharp of mind and healthy in body and spirit.

With no end in sight, and the unavoidable prolonging of this tragedy due to the criminal negligence and inhumane cruelty of many of our alleged leaders (and the spineless kowtowing to mounting fascist power of the so-called “left” establishment), it is difficult, nay impossible, to predict when we might all be able to (safely & responsibly) commune again for the sake of music and camaraderie.

That said, here are a couple of new quartet releases from March and May of 2019 recorded here in Chicago which exist solely in the digital realm to hold you over until we can get back to in-person communion (click titles or album art for links):

Foster / Rempis / Roebke / Damon The Eagle (Aerophonic)

Michael Foster – soprano & tenor saxophones
Dave Rempis – alto, tenor & baritone saxophones
Jason Roebke – upright bass
Tyler Damon – drums/percussion

Recorded live at Hungry Brain, March 17th, 2019 by Dave Zuchowski.

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Abrams/Damon/Graham/MendozaSometimes There Were Four (Forbes Graham self-release)

Joshua Abrams – upright bass
Tyler Damon – drums/percussion
Forbes Graham – trumpet
Ava Mendoza – electric guitar

Recorded live at May Chapel, May 4th, 2019 by Dave Zuchowski as part of Dave Rempis’ Exposure Series. Mastered by Weasel Walter. Artwork by Forbes.

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May 14, 2020   [permalink]   , , , , , , , , , , ,

2020

Tashi & I, Spring 2019. Photo by Kari Leigh Ames.

As usual, it has been a little while since my last post. I’m only stopping by to drop off the pertinent information, so here’s what has come out recently, what’s coming out soon and where you may find me in the coming months. The image above was commissioned for a forthcoming release on Austria’s Trost label (who released a trio CD of Tashi, Mette Rasmussen and I back in 2017).

Thanks to everyone for the support in 2019. Looking forward… – T

Late Winter / early Spring 2020 dates

– Tuesday. January 7th – Kuzu + Joshua Abrams w/ Manas @ Elastic Arts (3429 W. Diversey Ave.), Chicago, IL

– Sunday, March 8th – Kuzu @ The Mothlight (701 Haywood Rd.), Asheville, NC

– Monday, March 9th – Kuzu @ Marshall University, Smith Recital Hall (1 John Marshall Dr.), Huntington, WV

– Tuesday, March 10th – Kuzu @ Explorer Academy (2901 Saltwell Rd.), Huntington, WV

– Tuesday, March 10th– Kuzu @ University of Kentucky, John Jacob Niles Gallery (160 Patterson Dr.), Lexington, KY

– Wednesday, March 11th – Kuzu @ Joe’s Cafe (6014 Kingsbury Ave.), presented by New Music Circle, St. Louis, MO

– Thursday, March 12th – Kuzu w/ Lytton/Vandermark duo @ Elastic Arts (3429 W. Diversey Ave.), Chicago, IL

– Friday, March 13th – Kuzu @ Sugar Maple (441 E. Lincoln Ave.), Milwaukee, WI

– Saturday, March 14th – Kuzu @ Cafe CODA (1224 Williamson St.), Madison, WI

Tashi Dorji & Tyler Damon – “To Catch A Bird In A Net Of Wind” (Trost , 2020)

Forthcoming duo LP on Austria’s Trost label. Recorded in Chicago at Exposure Festival 2018. Preorder now at Trost’s Bandcamp page

KuzuPurple Dark Opal (Aerophonic, 2020)

Released February 2020. Recorded in 2018 at Milwaukee’s Sugar Maple, Purple Dark Opal may be my favorite recorded document to date (that I’ve had a hand in, of course…) – A handful went out to the public at our recent last-minute appearance at Elastic in quartet mode with Joshua Abrams. Order now via Aerophonic.

“…merges more passion and emotions than a David Mamet play.”  – Mark Corroto, All About Jazz

“…for all the runs, flushes and an all-in mentality, there is not a wasted minute where we catch them floundering. […] Purple Dark Opal is an essential recording that showcases this group’s prowess when left to their own devices.” – Taylor McDowell, Free Jazz Blog

Sam Weinberg / Henry Fraser / Tyler DamonFoment (Amalgam, 2019)

Foment represents a first-meeting of New Yorkers saxophonist Sam Weinberg & bassist Henry Fraser with Chicago drummer Tyler Damon. Although the three musicians had not played in this formation before the recording, Weinberg and Fraser have been working in close partnership, in various capacities and configurations, for half a decade. Their rapport is evident, but here modified, tinkered with, and expanded upon by the expansive drumming of Damon whose voice opens the record on the sprawling “Sleet”. Throughout the course of this close to hour long recording–spread out over two lengthy tracks– the trio traverses a host of dynamic and timbral zones, without ever sacrificing a palpable sense of momentum and entropy. Recorded in the winter of 2019, “Foment” is a document of forward-thinking 21st century improvised music from an irrepressible crew of fledgling musicians.”

Available HERE

KuzuLift To Drag (Medium Sound, 2019)

Recorded in October 2018. Taylor McDowell over at Free Jazz Collective writes:

“Taken from a performance at Hallwalls Contemporary Arts Center in Buffalo, Lift to Drag consists of 80-minutes of improvisation at its finest. The two extended tracks leave ample room for this trio to seize rhythmic or melodic ideas, construct wild grooves from it, only to burn it down in strident anarchy.

Digital downloads are available HERE from Medium Sound. A repress of the cassette is available now if you missed the first run; available from the above link or in-person at shows…

Eddie Flowers & The Wax-Lip-Swamp-Dub – s/t (Feeding Tube, 2020; originally released on cassette in 2019 by Long Gone Sound System)

A one-off improvised recording session at the now-defunct Magnetic South in Bloomington while Eddie was visiting from Long Beach yielded this strange document which now rears its fried head on LP. Byron sez:

“The music created by The Wax-Lip-Swamp-Dub unit is thick with acid-haze (generated by a real random assortment of instruments) and powered into fields of Can-like glory by the superb drumming of Tyler Damon. Eddie’s vocals sprawl across the top of it all, giving an entirely new meaning to R. Meltzer’s phrase, “blabbermouth lockjaw of the soul.” The vocals here are all that, but they lay out like a beatnik rattlesnake frying happily in the Texas sun. It is a beautiful trip.

Hint to travelers: the higher you fly, the better your view.”

Available HERE

 


January 9, 2020   [permalink]   , , , , , , , , , , , , , , , , , , , , , , , , , , ,