Yoke 01-03 reviewed in Vital Weekly

forfour

Frans de Waard recently reviewed Yoke releases 01-03 (my solo debut “Softened Skull,” as well as both collaborations with Darin Gray) at Vital Weekly, an e-mail magazine (formerly print zine) that’s been active as long as I’ve been drawing breath.

Check out the full review at VITAL WEEKLY 1011


December 20, 2015   [permalink]   , , , , , , , , ,

German “Oninbo” review + Damon/Jost duo clip + archival release on Auris Apothecary…

Darin Gray and I received a nice German-language review of our duo release “Oninbo” from Eike Klien on his Das Klienicum blog:

http://dasklienicum.blogspot.com/2015/07/eingestreut-832-darin-gray-tyler-damon.html

Additionally, Tom Burris has captured another clip of me in the wild, this time w/ my upright bass/clarinet cohort Keith Jost at Bloomington’s own Artifex Guild:

Keith is on his way to greener pastures in Newark, NJ, so this clip stands as a testament to what is (likely) our final show for some time. Certainly not our last meeting, however…

For one last piece of news, Auris Apothecary has released an archival session featuring two of my great friends, Deserter (Greg Simpson/Rare Candies) and Dante Augustus Scarlatti (Bruce Woodward) from 2010. From Auris Apothecary:

“A “lost” session from 3 of Auris Apothecary’s most trusted accomplices, recorded in stunning fidelity in 2010 inside one of the most aesthetically & musically awe-inspiring spaces in the Midwest. 7 tracks totaling over an hour of quasi-improvisational avant-garde manifestations of harsh noise, ambient atmospheres, black metal, post-rock, melodic repetitions, and other dense sonic tapestries”

This was a very formative and, indeed, experimental time for me musically – I wasn’t quite sure which direction I was going in but I was really trying to push myself to try new things. I was drifting away from a lot of the heavy stoner rock, post-rock and metal I had briefly explored and I was increasingly interested in free improvisation and noise but hadn’t quite found my voice in that realm yet. Engineer Tim Smiley, another great friend of ours, managed to grant us access to the incredible space during a break in classes at Indiana University, so we spent all night in there trying out whatever sprung to mind. That said, I have really enjoyed revisiting this document. Bruce (D.A.S./Auris Apothecary label-head) has done an excellent job presenting Auer Hall Sessions and I hope that listeners enjoy the disc on its own terms and also as a reference point for where I’ve ended up musically today. It’s limited to 50 copies and is available now HERE.

 


July 28, 2015   [permalink]   , , , , , , , , , , , , , , , , , ,

“Softened Skull” review on Free Jazz Blog

Tireless out music supporter and aficionado Tom Burris has penned a very flattering review of my solo recording debut, “Softened Skull,” over at Free Jazz Blog:

“This disc seems to be a condensed demo to show the range of Damon’s talents, rather than a full-blown “statement” & that’s just fine with me.  The pieces are short, yeah – but I wouldn’t say they’re under-developed.  There’s a shit-or-get-off-the-pot aesthetic that displays a mass of  ideas quickly.  And now that this recording exists, I expect we’ll be going on many more trips with Mr. Damon that will build upon this sturdy framework.  A highly respectable debut from a phenomenal talent.”

Check out the full review here: [LINK]

“Softened Skull” is out-of-print on cassette but is still available on CDr via YOKE and digitally on my Bandcamp page…


July 16, 2015   [permalink]   , , , , , ,

Back from tour…

I rolled back into Bloomington at 5AM sharp early Tuesday morning, decompressed and exhausted from my final performance of this tour with the unparalleled Darin Gray. I cannot say enough good things about Darin, so I will simply state, as he often says of others, that D is a “golden, GOLDEN human being.” To say I’m looking forward to our future meetings is an understatement. Special thanks to everyone who came out to a show, bought a tape or CDr, documented a gig or supported us on a bill (Microsleep, Sedcairn Archives, What We Won’t See, Ora Iso, Timeghost), but a very special thank you specifically to Bruce Woodward at The Artifex Guild, Eric (and little Hazel) Weddle, Paul Baldwin and co. at the Spot Tavern, Jason Finkelman at Institute 4 Creativity, Jeremy Kannapell (!), Jill Pifer, Glenn Kotche and, last but not least, Rachel Maudlin for scooping me up from St. Louis. I suppose I should start planning the next one…

For those interested in copies of Darin and I’s debut cassette, “…Oninbo,” please order directly from me over at the YOKE page, catch me at an upcoming SHOW, pick one up in Bloomington at Landlocked Music or snag one from Darin at a gig. If you’ve already ordered one, keep an eye on your mailbox. Our great friend Eric Weddle over at Family Vineyard had this to say of the release:

“These two began playing together in 2012 and have found an anchorless dialogue of continuous expansion and unspooling of sound. This is pretty much unlike anything we’ve released by longtime pal Gray — and it salaciously sticks to our ribs in a satisfying way. The release is limited to 100 pro-duplicated hi-bias Chrome+ cassettes on Tyler’s Yoke imprint. Downloads will be active when the cassette is gone.”

Below is one of the many fantastic photos by Mabel Suen from the St. Louis gig at the always incredible William A Kerr Foundation. For those that don’t know, the Kerr is a handsomely converted 19th century bathhouse situated on St. Louis’ north side. It overlooks the great Mississippi river surrounded by brick and mortar specters of St. Louis’ past. We were fortunate enough to perform at sundown in the center of the wonderfully maintained rooftop garden (Jer Kan – the man that makes these dreams come to life!). Thanks again for the photo Mabel! – T.

damongray composite


May 6, 2015   [permalink]   , , , , , , , , ,

< Newer posts
Older posts >